Alongside a selection of completed and ongoing projects, including Thomas House, Silver Building, Compton Courtyard and the transformation of Walker's Court, the publication reveals the stories behind the work through photography, interviews and essays. A photographic series documents the beauty of derelict buildings and construction sites before transformation, while conversations with collaborators including neon collector Marcus Bracey of God's Own Junkyard and photographer Lewis Khan offer wider perspectives on creativity and making. The 'Life and Soul' feature explores the relationship between people and place from those who inhabit SODA's projects.

Through project features, branding work and behind-the-scenes content, SODA Review Vol. 1 establishes the philosophy and collaborative culture that continue to define the studio. More than a record of completed work, it celebrates curiosity, experimentation and the belief that the strongest ideas emerge through process, collaboration and a willingness to look beyond conventional boundaries.